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Mike Barrett Photography

Photography Beyond The Moment

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Peak District

While Developing Lightroom Presets

20th September 2019 By Mike Barrett

Peak District Grit v’s ISO/ASA Grain, and a splash of Grunge.

I have been working on some Lightroom Presets which will be on sale soon. Look out for them in the coming weeks. I created one called ‘Here Comes The Grain Again’. A monochrome preset that mimics a high ASA (American Standards Association) film. You might be more familiar with the abbreviation ISO (International Organization of Standardization), more commonly used in Digital Cameras. A high ISO/ASA offers a higher level of light sensitivity when the camera makes the image. This essentially allows photographers to shoot at higher f-stops or indeed with faster shutter speeds, especially in low light conditions. In fact it’s a great way of getting better results from your camera in low-light situations. The trade off though is that images will often turn out grainy and have a more high contrast finish to them. In the digital world this has been a bit of a taboo in the production of photography. Photographers have demanded better and better quality sensors in cameras in order to make less grainy images while shooting in low light. However, grainy images can also be viewed as a style, something that adds character or textural interest to an image. This brings me neatly back to the Lightroom Presets that I have been developing.

This is the first monochrome preset I have made. It’s called ‘Here Comes The Grain Again’ and will be part of a set called Monopods. I liked it so much I had to try it out across a range of images. I came across a folder of RAW files, images that I took earlier this year while out in the Peak District. I got an assortment of moody shots of my brother Jake, and a couple of my daughter too, standing up on the rocks on the escarpment at Froggatt Edge in the Dark Peak area of the Peak District National Park. This preset worked very well with these images and made for some really gritty results which I liked very much. To add a little more drama to the finished images, I ran them all through Photoshop and overlaid some spatter textures from a bank of resource imagery that I have been developing, using and adding to over the years. Here are the results below.

Watch out for my Lightroom Preset Package coming soon.

© Mike Barrett Photography 2019 – All Rights Reserved

Landscape and Light

9th January 2019 By Mike Barrett

Take some time to sit yourself in the landscape, and wait. Wait and watch. Watch and wait. Take a flask. Maybe some food. Eat, drink, wait and watch. Watch and wait.

This is when you witness magic. The magic of light. The magic of the land and how it takes on diverse and ever changing forms as it reflects the light. From raven blacks to washed out greys. From majestic, dusty edged, alabaster Cumulonimbus reaching to embrace the heavens, to a verdant meadow kissing an azure sky. From searing hot horizons framed by foreboding and shadowy plumes of an imminent storm, to blinding white mists that obscure the panorama, chilling the landscape while removing all discernible detail from view. Where maybe only a slither of form may present some significance, albeit with a washed out and delicate hue.

So much can happen and change when you’re out in the wilderness. The trick is being able to spot the interesting moments as they present themselves and try to record them in the magnificent way in which they appear.

The description above is pretty much the exact array of conditions that presented themselves while I was walking in the Peak District at the weekend. I had visited Froggatts Edge, a gritstone escarpment which sits in the Dark Peak area of the Peak District National Park, in Derbyshire, England. The weather was unbelievably dramatic and incredibly changeable over the course of the day and so presented some interesting vistas to photograph.  

These images were taken at different times during my visit. It is amazing how much can change in the landscape if you are willing to spend time in a place and be patient in order to get some interesting shots. I have known photographers get bored and frustrated while being out in the countryside because the light has been bad and the weather has been inclement. I have watched them pack up their kit and called it a day, only for everything to change not ten minutes later and for the same landscape that looked drab, boring and disinteresting to offer up unbelievably beautiful scenery because of a slight change in weather conditions. Patience is a virtue is a saying that we are all familiar with. Where landscape photography is concerned patience pays off more times than not.

Here are some images I took up on Froggatts Edge.

© Mike Barrett Photography 2019 – All Rights Reserved

Lens EF70-200mm F/4L USM @ 109mm, F7.1, ISO 100, 1/250 Seconds Exposure, Manual, Tripod Mounted.

 

Lens EF17-40mm F/4L USM @ 17mm, F6.3, ISO 250, 1/800 Seconds Exposure, Aperture Priority, Hand Held.

 

Lens EF70-200mm F/4L USM @ 188mm, F20, ISO 100, 1/6 Seconds Exposure, Manual, Tripod Mounted.

 

Lens EF17-40mm F/4L USM @ 22mm, F4.5, ISO 250, 1/250 Seconds Exposure, Manual, Tripod Mounted.

 

Lens EF70-200mm F/4L USM @ 113mm, F13, ISO 250, 1/60 Seconds Exposure, Manual, Tripod Mounted.

Peak District – Watery Inferno

28th November 2018 By Mike Barrett

Landscape photography is it’s own reward, in as much that it gets you out into the big wide world, breathing in fresh air and discovering new and interesting places over and over again. Invariably you’ll find yourself stomping across the countryside, up hill and down dale, or indeed racing along wet beaches in your wellies trying to get to a specific location before the sun starts rising. (Been there, done that)! Other times you’ll be wading through rivers, ice cold water up to your knees, hands freezing, all your kit damp while you’re dripping wet through, all in the pursuit of that killer shot. The exercise is good though, soaking up the atmosphere while being buffeted by the elements is also exhilarating. In my book, these experiences bring an enormous sense of wellbeing. What of the photography? If you are anything like me you will end up with a whole bunch of images that you will keep forever. Some of which might even make it into the portfolio.

A recent trip to the Peak District was a day such as this. I had left it a bit late, or so I had thought, to go out and get a beautiful autumnal shot in some stunning location or other. The leaves were coming off the trees at a rate of knots. One robust storm would have stripped the trees of their remaining leaves which in turn would have deprived me of the opportunity of getting a shot from this years stunning autumnal backdrop.

My friend and fellow photographer Graham Binns and I headed out to the Peak District along a road that we had travelled on some months before. We had both vowed to come back to this location come autumn time such was its beauty. We got extremely excited when entering the densely wooded area that we had earmarked on a previous trip. The autumn colours this year were literally out of this world. A burning hue, the likes of which I’ve not witnessed before. Apparently such vivid and intense colour is a phenomenon brought about by intensely hot, dry summers. Like the one we have just had. Apparently in brighter, dryer weather, sugars become more concentrated in the leaves and more anthocyanin is produced. Subsequently leaves become a deeper, more vibrant red!

We arrived at the desired location and hurriedly got our kit together and headed off in different directions in search of a composition or two.

The shot below is the first one that I took. From the roadside looking down into the valley, there amassed a dense wooded area that was awash with colour. I was fascinated by how vivid the colours were framed by the blackened bark of the trees. Darkened by the sporadic downfalls of rain that were beleaguering the day. There was still good light in the sky. It was bright but rainy. There was a soft, defused light that’s great for this kind of shot.

Lens EF70-200mm F/4L USM @ 200mm, F11, ISO 100, 1/4 Seconds Exposure, Tripod Mounted.

© Mike Barrett Photography 2018 – All Rights Reserved

This next shot is literally to the right hand side of where I was stood when taking the shot above. I had positioned myself on a muddy verge among the stones of a fallen wall situated on a hair pin bend in this small valley. The road was a 1:4 gradient hill, although it’s hard to tell from the photograph. I was made aware of the incline while walking back up it. The lactic acid build up in my leg muscles let me know all about it. Especially with all my camera kit on my back. This scene of the road just appealed to me, so I grabbed a shot of it before heading down into the valley to find Graham. It wasn’t long after this shot before the heavens opened again and the rain came down in stair rods.

Lens EF17-40mm F/4L USM @ 17mm, F11, ISO 100, 1/4 Seconds Exposure, Tripod Mounted.

I found Graham further down the road looking somewhat waterlogged but enjoying himself none the less. We decided to head back to the car and move on to find another location a bit further into the Peak District. We had been travelling for about ten minutes when we came across a scene that just couldn’t be passed up. It was such a stunning spot that we both jumped out of the car like a couple of excited school kids and headed off into this beautiful wilderness with feverish abandon. The colours and the scenery that lay before us was exactly the type of shot that we had been looking for. Something that depicted the sheer beauty of this years fall in Great Britain. The shots below are from the location that we found. Beautiful to say the very least. We spent  a good couple of hours here taking photographs, doing some filming and soaking up the ambience. The only thing that could have dampened our spirits was the perpetual rainfall. Keeping our kit dry was a bit of a challenge but neither of us cared a jot. We were out doing what we love!

This images below is looking up the river as it cascades down towards a small bridge situated just behind us.

Lens EF17-40mm F/4L USM @ 17mm, F16, ISO 100, 1.0 Seconds Exposure, Tripod Mounted.

This shot below is looking back down the river. Stunning colour!

Lens EF17-40mm F/4L USM @ 17mm, F16, ISO 100, 1.0 Seconds Exposure, Tripod Mounted.

Lens EF17-40mm F/4L USM @ 30mm, F16, ISO 100, 1.0 Seconds Exposure, Tripod Mounted.

Lens EF17-40mm F/4L USM @ 40mm, F16, ISO 100, 1.0 Seconds Exposure, Tripod Mounted.

Having got these shots and a few more besides we decided to call it a day as we were wet through and our kit was getting fairly wet too. Both of us were happy with the shots that we got. Graham had taken some on his Bronica ETRSI as well as digitally. We’re both looking forward to seeing those.

Mam Tor – The Peak District

12th November 2018 By Mike Barrett

It’s great to get about the country and to see the stunning landscape that Great Britain has to offer. So much so that I can sometimes forget what I have got on my doorstep. The Peak District is one of the most stunning locations in Great Britain. The beauty in the landscapes that the Peaks has to offer is just breathtaking. It always surprises me when I go back there just how devastatingly beautiful the Peaks are.

Mam Tor (‘Mother Hill’) is no exception. Standing 517 meters above Castleton in the high peak of Derbyshire, this location offers some of the areas best and most breathtaking scenery. Not that it is in short supply by any stretch of the imagination. Here are a couple of shots I got on a recent visit to this beautiful place. A place I have been to many times and will continue to return to.

© Mike Barrett Photography 2018 – All Rights Reserved

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